Good sound is invisible.
It lives in the noise between the words, in the silence you didn't know was there.
Until it isn't.

Born in Wiesbaden, Germany, raised between cultures, trained in Milan. I graduated from the Civica Scuola di Cinema Luchino Visconti in 2017 – where I’ve been teaching since 2020.

I’ve always believed that the best work disappears into the story. Not because it isn’t there – but because it’s exactly where it should be. That’s the discipline I bring to every project: the patience to listen before acting, the precision to know when something is right, and the silence to let the work speak for itself.

On set I work as location sound mixer and boom operator. In post as sound designer, foley artist and sound editor. I don’t separate the two – production sound and audio post-production are part of the same conversation, and I’ve spent years learning to speak both languages fluently.

I work on films, documentaries, commercials and music videos – following each project from the first slate to the final mix, across whatever the story demands.

My work has been selected for some of the most important international festivals – including “The Disappearance of My Mother” at Sundance, and “Gli oceani sono i veri continenti“, “Agon” and “Guerra e Pace” at Venice Film Festival.